High-End Audio / Audiophile & Music Industry News

  We invite you to join our social media pages and meet music lovers and audiophiles from all around the world. Like and follow our social media pages to chat with our reviewers, industry luminaries, and our loyal followers. Stay informed about the latest high-end audio news, audiophile events, and updates related to Enjoy the Music.com. As always, in the end what really matters is that you... enjoy the music!

04 / 06 / 26

$1B Verdict: Supreme Court Shields ISPs From Piracy Liability
The U.S. Supreme Court issued a 9–0 decision in Cox Communications versus Sony Music Entertainment, reversing a lower-court ruling that had held the internet service provider liable for subscribers' music piracy and overturning a jury award that exceeded $1 billion. The Court held that an ISP cannot be treated as a copyright infringer solely for providing internet access to the public, rejecting the theory that mere knowledge of user infringement is enough to impose contributory liability. The dispute began after music companies used third-party monitoring software to trace alleged illegal uploads and downloads to IP addresses assigned to Cox subscribers and sent the ISP more than 163,000 infringement notices over the period at issue. Sony and other rights holders sued, and a jury awarded statutory damages that together topped $1 billion; the Fourth Circuit later affirmed a finding of contributory infringement, prompting Cox to seek Supreme Court review.

In an opinion explaining the unanimous 9-0 ruling, the Court emphasized established principles of secondary liability, saying contributory liability requires proof that a provider intended to foster infringement—either by affirmatively inducing it or by tailoring a service to facilitate it—not merely by failing to terminate accounts after receiving notices. The decision clarifies that ISPs' limited ability to monitor or control individual users and their contractual prohibitions on infringing activity weigh against imposing broad liability for subscribers' actions. Legal and industry observers say the ruling is a landmark win for internet providers and will reshape litigation strategies for copyright owners, who may now focus on targeting direct infringers or services that actively promote piracy rather than access providers. Rights holders have signaled they will evaluate next steps as the case returns to lower courts for further proceedings consistent with the Supreme Court's guidance. Analysts also warn the decision could prompt policy debates over notice-and-takedown practices and the balance between copyright enforcement and universal internet access.

04 / 03 / 26

Part 2 — 2300 And 2400 Hallways: Montreal Audiofest 2026 Show Report
High-end audio gear reviews, in-depth hi-fi technical details, and exhibit room listening notes.
Montreal Audiofest Show Report By Rick Becker
I've almost missed Room 2326 before, and I did this time, too. As you come up the stairs from the hallway with the duck pond, it is tucked down the hallway immediately to the right. It's the only Audiofest room in that hallway. Sarah needs to hire a School Crossing Guard to direct people to it, as it is often one of the most interesting rooms at the show. Fortunately, I recognized my oversight and dropped in on my sweep of the show late on Sunday. The speaker company is O/ Audio. Sorry, I don't have a Greek keyboard on my computer. I found a couple of Phi Audio companies on the internet, but not this one.  After searching the Harmonia Distribution website, I found them in Norway, so I guess the company is O Audio, as in "Oh, what an unusual name." I saw a nail-driving competition at Capital Audiofest that suggested something Norse about them. And there was buzz about them at the show, which was pretty good.
---> Part 2 — 2300 And 2400 Hallways: Montreal Audiofest 2026 Show Report.

04 / 02 / 26

Hi-Fi+ April 2026 High-End Audio Magazine
Editorial: Streaming Versus Local: When A Music Server Still Wins
CH Precision 10 Series Digital Replay System
Franco Serblin Accordo Unica Floorstanding Loudspeaker 
Holborne Analog 3 Silver Turntable And Tonearm
Innuos STREAM3 Music Server
LUMIN P1 Min Streaming Amplifier
Kuzma SAFIR 12 Turntable Tonearm
Synergistic Research Voodoo Music Server
SV-Audio Gro Floorstanding Loudspeaker
Stack Audio AUVA SW Subwoofer Feet
...And Much More!

Within this month's editorial, Alan Sircom says "On the face of it, the continued rise of streamed music and the general shift away from physical or locally-stored music would tend to suggest there's no need for a music server anymore. With two new server products in this month's line-up, I'd argue that reports of the server's demise are greatly exaggerated. Until recently, almost every self-respecting enthusiast with a networked audio system used a server no matter what. This started because local NAS boxes (network-attached storage) were used to hold your collection of ripped CD files and downloaded high-resolution tracks. A server was needed to coordinate all this, and at a time when storage was cheap and bandwidth was still relatively narrow, this was a great idea. Now, however, broadband is rarely the bottleneck it once was. You can effortlessly stream even the largest file from a service provider, the likes of Qobuz, Spotify, and Tidal have 'Connect software that lets your streamer bypass the server, and that drive full of CD rips is now full of the tracks you loved to play a decade ago. We've moved on."
---> hi-fi+ April 2026 High-End Audio Magazine.

04 / 01 / 26

April 2026 Review Magazine: World Premiere Gear And Show Reports
Flagship reviews, Montreal and Florida show coverage, plus an insightful buying guide.
The issue opens with high-end audio's diverse equipment offerings with A Buyer's Guide For 2026. It emphasizes how the market has evolved into specialized ecosystems that include hi-fi separates, music streamers, portable high-res players, and explains why manufacturers may optimize products for listening context rather than one-size-fits-all solutions. Our equipment section leads with world premiere reviews, including the impressive Børresen T1 Silver Supreme Edition (SSE) stand-mounted loudspeaker with Dr. Bump's detailed listening and technical analysis, the Heartsound Audio Holostage review by Rick Becker showcases a hands-on evaluation of an affordable sonic enhancer. The fun and fantastic MooVu DIY loudspeaker kit showcases how doing it all by yourself can be lots of fun! As always, our April issue also means a couple of humorous articles for your reading pleasure.

Beyond gear, April's coverage includes major show reports and industry commentary that map current trends. Detailed reports from Montreal Audiofest 2026 and the Florida International Audio Expo 2026 capture the scale of recent shows and the resurgence of immersive, luxury-level demos. There's more show excitement as later this month, we'll be adding AXPONA coverage to the mix as well. The issue also spotlights community and inclusion efforts, such as the Women In Hi-Fi seminar coverage, reflecting the magazine's broader engagement with the industry. Enjoy the Music.com's April Review Magazine balances technical depth with accessible narratives—reviews include setup tips and real-world listening notes, while show reports and features provide market context for buyers and hobbyists. Whether you're researching a flagship loudspeaker, exploring DIY speaker kits, or tracking show trends, the issue offers actionable insights and curated recommendations that serve both seasoned audiophiles and newcomers.
---> April 2026 Review Magazine: World Premiere Gear And Show Reports.

How High-End Audio Broke Into Ecosystems: A Buyer's Guide For 2026
Why purists, streamers, and convenience seekers buy different kinds of high-fidelity.
Editorial By Steven R. Rochlin
High-end audio's market structure in 2025 and 2026 shows concentrated growth in premium segments, even as the mass-market hi-fi segment also expands. Am humbled to find that our global consumer audio market was valued at about $58.9 billion in 2025, with hi-fi sound systems and premium headphones growing faster than commodity categories. What may look to some like fragmentation is actually a move towards specialization: manufacturers and boutique builders optimize for listening context rather than a single universal product. That may yield better-fitting systems for critical listening, living-room convenience, and portable use. Like Enjoy the Music.com, our part of the overall consumer electronics sector is doing better than ever! For purists, the separates ecosystem—standalone loudspeakers, amplifiers, preamps, phono stage, and DACs—remains the gold standard.
---> How High-End Audio Broke Into Ecosystems: A Buyer's Guide For 2026.

Montreal Audiofest 2026 Luxury Hi-Fi Audio Show Report
The ultimate audiophile and music lover experience.
Montreal Audiofest 2026 (Salon Audio Montreal) returned March 20th through 22nd, bringing Canada's premier high-end audiophile event to the city. Organizers enjoyed welcoming thousands of music lovers and audiophiles eager to listen, see, and handle cutting-edge audio gear, with over luxury 300 brands showcased under one roof. The three-day festival was designed for audiophiles, videophiles, immersivephiles, and curious music lovers seeking modern immersive, hands-on experiences. As the largest audio event in Canada, the event gathered top distributors, manufacturers, and retailers from the high-end consumer electronics industry. Attendees joyously explore dedicated demo listening rooms, vendor booths, and curated exhibits that highlight the latest in luxurious loudspeakers, top-rated amplifiers, precision Hi-Res Audio DACs, turntables, immersive headphones & portable audio, plus home A/V systems. The show's scale and industry presence made it a must-visit for anyone tracking trends in premium sound and home cinema.
---> Montreal Audiofest 2026 Luxury Hi-Fi Audio Show Report.

World Premiere Review!
Restoring Music To Its Reality: Børresen T1 Silver Supreme Edition Stand-Mounted Loudspeaker Review
In-depth listening test, technical analysis, and real-world setup tips for audiophiles and music lovers.
Review By Dr. Michael Bump
Giddy. (adj) The emotional response I have developed to the musical instruments that are Børresen loudspeakers. In my crossover life as both a professional musician and high-end audio writer and reviewer, I have grown acquainted with a handful of select audio designs that, from my perspective, serve as true musical instruments  – creations that express sonic art in ways that reach into the human heart, corporeally moving both body and soul in ways that defy words. Before we get to my Børresen T1 SSE (Silver Supreme Edition) monitor loudspeaker review, here's some background. It was six years ago from my first encounter with Børresen loudspeakers, when, upon first listen, they revealed those same visceral qualities I am all too familiar with when on stage creating live music. In the Spring of 2019, I was privileged to pen the U.S. Premiere review of the Børresen 01 Series stand monitor, the cornerstone of what was then the newly established Børresen Acoustics loudspeaker company of Michael Børresen and co-founding business partner, Lars Kristensen.
---> Børresen T1 Silver Supreme Edition Stand-Mounted Loudspeaker Review.

World Premiere Review!
Heartsound Audio Holostage Review: Scientific Voodoo Or Genuine Upgrade?
Hands-on evaluation of sonic impact, transformative sound, and where Holostage fits in your audiophile journey.
Review By Rick Becker
It was pure chance that I stumbled upon Heartsound Audio's Holostage to review here at Enjoy the Music.com. I'm not an avid reader of audio blogs, but occasionally an e-mail with a Weekly Recap of the Audiogon Discussion Forum will slip past my email filters. The subject was actually the Nirvana Chronos, which I had previously heard at AXPONA in 2025 and subsequently reviewed very favorably. People wanted to know if the Heartsound Holostage was similar or as good, since it was considerably less expensive. I fired off an inquiry. Kristine Tetrault, founder of the company in 2021, replied shortly with an offer to send me a review sample. The Holostage is sold in sets of four blocks for $1000. It arrived via Priority Mail from Concord, NH, which is too far inland to catch any scent of saltwater. Inside the Flat Rate USPS box was a black cardboard box of the kind you might expect a gift from Macy's to be wrapped.
---> Heartsound Audio Holostage Review: Scientific Voodoo Or Genuine Upgrade?

MooVu DIY Loudspeaker Review — Big Bass, Easy Build, Great Value
Construct, listen, love — a gateway to DIY audio'phile hobbying fun.
Review By Brett And Dylan Rudolph
Last year at the Capital Audio Fest, I saw Vinh Vu, principal at Ginkgo Audio, sitting at his booth with his MooVu speakers. I was fascinated by these $815-ish Do-It-Yourself (DIY) speakers, which he explained to me were his latest brainchild. So, while I had no real time to do more than look at them, we chatted a little longer and then put a pin on it, thinking we would come back to it later. There is one thing that you need to know about Vinh, and it is absolutely to his credit: he is very organized. Shortly before the end of the year, he called to ask if I was interested in reviewing the MooVu speakers. While I have many strengths in this world, one of them is not the ability to work with my hands, which, coupled with my current vision issues, leaves me unable to review things such as this; however, my son Dylan was absolutely thrilled to help with this review. So, we set up for the second weekend in January for Vinh to come and show us both how to build speakers and put the MooVus together.
---> MooVu DIY Loudspeaker Review — Big Bass, Easy Build, Great Value.

Sozy Wulkmun High-Rez Audio Turntable Review
Freeing your music has never been easier!
Review By Nilhcor R. Nevets
Look, I'll make this preview brief as spy photos and an advanced copy of their upcoming advertisement just hit my desk. While I'm bound to this desktop torture getting this story out fast, your music LPs soon will have a newfound freedom away from their homeward bondage. With vinyl LP sales experiencing double-digit growth, it appears that the LP is once again becoming a major force within the music industry. Furthermore, Rebeat has just announced their new high definition vinyl LPs via lacquers cut with a femto-laser (see March 17th Industry News update). World-renown electronics manufacturer Sozy will soon be selling their Wulkmun battery-powered portable record player. Playing both 33.3 and 45 rpm LPs, the Wulkmun looks to have a specially-developed laser-sensing physics-loading tonearm that ensures the perfect pressure of the needle to the LP surface. Furthermore, we've learned that the Sozy Wulkmun will be the world's first audio component to include the aptX HD 24-bit Bluetooth chipset.
---> Sozy's Wulkmun High-Rez Audio Turntable Review.

Many more reviews & articles are within our Review Magazine.

03 / 29 / 26

Part 1 — 1200 & 1300 Hallways: Montreal Audiofest 2026 Show Tour And Sound Impressions
Exhibitor room and gear reviews, technical observations, and practical notes for serious listeners and music lovers.
Montreal Audiofest Show Report By Rick Becker
It was an uneventful drive up to the border from Rochester, NY, this year, as I started earlier in the afternoon and the weather was merely grey. Crossing the border on Saturday morning was cordial, and the road into Montreal was dry. For the first time that I can recall, I had to wait in line for an elevator to take me up to the Bonaventure Hotel on the 10th floor. The admission line was orderly, and the Canadiens were patient. Staff and many patrons were sporting bright orange Enjoy the Music.com lanyards. A Press Pass was waiting for me at the last kiosk. Following my usual protocol, I started on the upper floor, aiming to complete the four hallways on Saturday and descend to the lower level on Sunday. The buildings beyond the pool that were under construction last year looked habitable. Traces of overnight snowfall were not unusual for this time of year.
---> Part 1 — 1200 & 1300 Hallways: Montreal Audiofest 2026 Show Tour And Sound Impressions.

03 / 26 / 26

Gryphon Audio Essence Preamplifier
And Essence Stereo Power Amplifier Review
Blown away by an amazing musical performance!
Review By Tom Lyle
The Gryphon Essence preamplifier and Gryphon Stereo power amplifier are gorgeous looking and beautiful sounding Danish high-end audio components. Those who can afford either or both of these components will not only enjoy stellar sound quality but most likely will also be able to enjoy the fact that they are the epitome of audio equipment that has a look and "feel" of luxury goods. Gryphon founder Flemming E. Rasmussen was responsible for the stunningly beautiful exterior of the rather large (and heavy!) Gryphon Essence preamplifier and Stereo Essence power amplifier. Good looks and operational refinement are especially true of the Gryphon Essence preamplifier. Its weighty infrared metal remote was only one indication of this Danish audio manufacturer's recognition of many audiophile's appreciation of the intangibles that are available on many preamps.
---> Gryphon Audio Essence Preamplifier & Essence Amplifier Review.

Eminent Technology LFT8c Loudspeaker Review
Dipole done well.
Review By Jules Coleman
If you are not familiar with Bruce Thigpen, it's time you were. Bruce has been among the more creative and innovative designers in the audio industry over the past forty years. He began his career by working on what was to become the Infinity turntable, which he followed with the classic and much-admired ET 2 linear tracking tonearm (parts and updates are still available for the model 1, ET-2 and ET- 2.5), before turning his attention to magnetic planar loudspeakers. Beginning with the full-range planar LFT3, he ultimately shifted focus to hybrid designs featuring planar mid and high-frequency drivers mated with traditional cone drivers to handle the lower frequencies. The shift in focus led to the development of the LFT-8 introduced in 1989 and then widely distributed beginning in 1990, the transformative version of which, LFT-8c, is the subject of this review.
---> Eminent Technology LFT8c Loudspeaker Review.

03 / 24 / 26

Southwest Audio Fest 2026: Flagship Systems, Seminars, And Vinyl Marketplace
Three days of reference listening, product launches, and expert panels.
Southwest Audio Fest (SWAF) 2026 will convene audiophiles, music lovers, reviewers, and industry professionals in Dallas, Texas, from July 23rd through July 25th, shifting to a condensed Thursday through Saturday schedule to concentrate demos and evening programming. The festival's home provides large demo rooms and proximity to the Arts and Historic districts—making it easy for attendees to combine listening sessions with local dining and culture SWAF show organizers emphasize extended, reference-level listening sessions rather than quick trade-show stops: expect curated listening rooms, full-system demos, and in-depth sessions that let visitors audition complete systems at realistic volumes in treated spaces. Educational programming will include technical seminars, moderated panels, and Q&A sessions covering room acoustics, analog versus digital workflows, streaming and DAC technology, plus evening listening parties and manufacturer product launches. Attendees are advised to buy single-day or multi-day tickets in advance to secure access to popular rooms and special sessions. 

SWAF 2026's exhibitor mix spans major manufacturers, boutique builders, dealers, and independent designers, with the show listing many brands within listening rooms that showcase loudspeakers, amplifiers, turntables, digital front ends, and room‑treatment solutions for a range of budgets and tastes. The Southwest Audio Fest 2026 high-end audiophile show also features a vibrant marketplace with a vinyl / CD marketplace, nightly live music for attendees, and special press/dealer preview opportunities. Exhibitors benefit from the condensed schedule designed to increase meaningful interactions and ROI. Enjoy the Music.com looks forward to seeing you there. To learn more about SWAF see, our Southwest Audio fest 2026 show report page.

03 / 23 / 26

AXPONA 2026 Features Audiophile Gear, Master Classes, & Seminars
AXPONA 2026 is a three-day high-end audio event for audiophiles and industry insiders, running April 10th through 12th at the Renaissance Schaumburg Hotel & Convention Center just outside Chicago. AXPONA's programming emphasizes education and community: the schedule featured seminars, master classes, live concerts, and after-hours events designed to pair technical deep dives with musical experiences. For attendees planning a visit, organizers and reviewers offered practical tips: plan your route through the many exhibit rooms, use the AXPONA app to track must-hear demos, and expect international brands to debut flagship systems that are best experienced live rather than via specs alone. 

Over three days, the AXPONA 2026 show combines a sprawling Expo Hall with many listening rooms, a trade pavilion, live musical performances, and specialty areas such as the Ear Gear Experience, and IASCA car audio showcase. Education and community programming remains central to the event's appeal as AXPONA's schedule includes many activities. Tickets for AXPONA 2026 are available in several tiers, including single-day, multi-day, Gen-Z, child, trade, and the premium Gold Pass. With thousands expected to attend, the event continues to grow as a cornerstone of the North American audio community. Whether you're a seasoned audiophile or someone curious about high-end sound, AXPONA 2026 promises an engaging, hands-on journey through the best that modern audio has to offer. Learn more at Enjoy the Music.com's exclusive AXPONA 2026 high-end audiophile show report.

03 / 19 / 26

First Watt Model SIT-1 Monoblock Power Amplifier Review
The power of the First Watt digs deeply into the fabric of music to communicate soul, drama, and passion.
Review By Dick Olsher
Imagine a single-ended Class A power amplifier comprising a single transistor, that is devoid of any feedback, and which behaves similarly to a power triode? Does this scenario sound too good to be true? Well, that's exactly what the First Watt SIT-1 is all about. It deploys a unique type of device, a variant of the JFET, referred to as a static induction transistor (SIT). It was invented in the early 1970s by Jun-ichi Nishizawa, a true genius who is considered the "father of Japanese microelectronics." The SIT enjoyed a brief audio career in power amplifiers by Yamaha and Sony, but has continued to evolve since then mainly for UHF and S-band applications in radar and communication satellite systems. It is a voltage controlled device whereby the signal modulates the electrostatic potential barrier produced by the gate – the grid like element of the SIT.
---> First Watt Model SIT-1 Monoblock Power Amplifier Review.

Ayon Audio CD-35 II CD Player And USA Labs RS9 Music Server Review
Two very versatile, and impressive, performers.
Review By Bob Grossman
The Ayon Audio CD-35 II as reviewed here, is the latest introduction to a long lineage of CD players that have been well regarded going back to the various models in the 3 and 5 series, along with ideas derived from their special edition CD35HF. But the CD-35 II is more than a CD player – it is also a fully functioning preamplifier and DAC. It is a single-ended triode pure Class A design using a 6H30 and a 5687 tube for each channel, and a GZ30 tube as a rectifier for the power supply. It is also a zero-feedback design. Ayon Audio's CD-35 II built-in DAC can be used to play music files from your computer via the USB connection. The DAC also has a coaxial RCA input for S/PDIF, I²S, BNC, AES/EBU, and three other BNC inputs for DSD. For this review I also evaluated the USA Labs RS9 music server to coordinate streaming of music from Qobuz.
---> Ayon CD-35 II CD Player And USA Labs RS9 Music Server Review.

03 / 18 / 26

Apple Music Mandates Transparency Tags for AI-Generated Content
New metadata requirements ask labels and distributors to disclose AI use in tracks, artwork, compositions, and videos to boost industry transparency.
Apple Music recently announced the rollout of the company's "Transparency Tags" within a newsletter to industry partners, framing the change as a "concrete first step" toward clearer disclosure of AI involvement in music. The company says the tags are a new metadata field that record labels and music distributors can begin applying immediately and will be required to use when delivering new content going forward. The new framework covers four core creative elements: Artwork, Track, Composition, and Music Video, and asks content providers to flag any use of AI across those elements when submitting packages to Apple Music. Apple's guidance treats the tags as similar to other metadata like genres and credits, and the company has delegated the initial determination of what counts as "AI-generated" to labels and distributors, rather than imposing a platform-level detection regime.

Industry reaction has been mixed: some rights holders and advocates welcomed a standardized disclosure field as a step toward accountability and clearer attribution for creators, while others warned that leaving the definition of AI use to content providers could create inconsistent application and loopholes. Legal and rights-management experts note that metadata-based disclosure can help downstream services, rights organizations, and listeners identify AI involvement, but they also stress the need for industry-wide standards and verification mechanisms to prevent mislabeling or underreporting. For artists, labels, and distributors the immediate practical effect will be operational: metadata packages delivered under Apple Music's Specification updates will need new fields populated and internal workflows adjusted to capture AI provenance for audio, lyrics, artwork, and video. Apple frames the tags as a first step toward broader best practices, and the company expects the industry to iterate on definitions and enforcement over time; stakeholders in the U.S. and globally should prepare for further guidance and possible standardization efforts as the market responds.

03 / 17 / 26

audioXpress' April 2026 Issue
Editorial: Tomorrow Happening Today
Three Viewpoints On Sound Reproduction 4th Edition
AntennaWare BodyWave Disrupting The Antenna
Phase Response And Group Delay Part 1—The Impact Of Filters
Phase And Delays Part 3—Measurements And Negative Delay
Designing A Three-Way Column Loudspeaker Using Akabak
Rising Tide—Technology Consolidation In A Transition Year
Audio And Voice Front-Ends
The 6418 Subminiature Pentode
And Much More!

Within his editorial, J. Martins says "What a start to the year this has been! 2026 is proving to be one of the most exciting times in memory for everyone involved in technology in general, and I don't recall having so many different fronts of innovation in audio to keep us busy as we've had recently. To begin, we had a busy time with three totally different trade shows, starting with CES in Las Vegas, NV, quickly followed by the NAMM Show in Anaheim, CA, and Integrated Systems Europe (ISE) 2026 in Barcelona, Spain, the largest in history, with a record number of exhibitors and attendees. While CES is focused on consumer electronics and the wider consumer technology space, NAMM offered a fascinating perspective on the practical use of technology by studios, musicians, and live production companies. And, ISE was completely focused on commercial installation systems and residential integration, showing a different side of professional audio. Yet, there was a clear thread of common technology trends and innovation across all these trade shows."
---> audioXpress April 2026 Issue.

03 / 16 / 26

Montreal Audiofest 2026 This Weekend: The Ultimate Audiophile And Music Lover Experience
Montreal Audiofest 2026 (Salon Audio Montreal) returns March 20th through 22nd, bringing Canada's premier high-end audiophile event to the city. Organizers expect thousands of visitors eager to listen, see, and handle cutting-edge audio gear, with over luxury 300 brands showcased under one roof. The three-day festival is designed for audiophiles, videophiles, immersivephiles, and curious music lovers seeking modern immersive, hands-on experiences. As the largest audio event in Canada, the event gathers top distributors, manufacturers, and retailers from the high-end consumer electronics industry. Attendees can explore dedicated demo listening rooms, vendor booths, and curated exhibits that highlight the latest in luxurious loudspeakers, top-rated amplifiers, precision, turntables, immersive headphones & portable audio, plus home A/V systems. The show's scale and industry presence make it a must-visit for anyone tracking trends in premium sound and home cinema.

Inside each listening room, exhibitors share their passion for music through focused demonstrations of world-class sound systems. Expect setups ranging from accessible high-performance rigs to flagship installations, with systems priced from $5000 to well overv$500,000. EARVANA is Canada's first and only headphone-focused showcase, taking place inside Montreal Audiofest 2026. Over three immersive days, explore 8,000 sq. ft. filled with the latest Head-FI with headphones, earphones, in-ear monitors (IEM), headamps, Hi-Res Audio DACs, and accessories from top global brands. Enjoy the Music.com's exclusive Montreal Audiofest 2026 high-end audio show coverage will be online shortly after the event.

03 / 13 / 26

FIAE 2026 Blue Note Award Winners Announced!
Enjoy the Music.com honors Audio Note UK, UniQue Home Audio, Prodigio Audio, Focal, Pass Labs, Gershman Acoustic, House Of Stereo, Estelon, And More!
Florida International Audio Expo 2026 Report By Dylan And Brett Rudolph
Enjoy the Music.com proudly announces the recipients of the this year's rare and prestigious Florida International Audio Expo 2026 Blue Note Awards! These awards recognize exceptional achievement in audio design, presentation, and listening-room excellence, and are given only when a product / room truly redefines the live-show experience. This year's selections reflect both time-honored craftsmanship and bold innovation across loudspeakers, electronics, and system integration. Each Enjoy the Music.com FIAE 2026 Blue Note Award winner demonstrated an extraordinary combination of sonic clarity, musicality, and room synergy that made listening feel immediate and emotionally engaging. Audio Note UK impressed with its tonal purity and analog heritage, while UniQue Home Audio showcased system-level refinement and presentation.

03 / 12 / 26

Phillips Design OH-16 Omnidirectional Loudspeaker Review
Giving you all the music you love.
Review By Dwayne Carter
Phillips Design made a bit of a splash at AXPONA in April of 2023, with their inaugural display of the Phillips Design OH-16 Omnidirectional three-way loudspeakers. Unable to attend AXPONA 2023; I was more than pleased with the opportunity to review a pair. These stylish loudspeakers arrived via freight, in a crate much larger than anticipated. Receiving a well-traveled demo pair, it is unknown whether standard production (consumer) speakers will be shipped the same way. Once unlocked, the crate door swings out to reveal both speakers. While well-designed, it still required two people to maneuver the speakers from the crate. Weighing 78 lbs each; while not extremely heavy, the round speakers require careful handling. With wood (usually teak) slats towards the top, and the 12" carbon fiber composite cone located on the bottom; careful handling is a must. Once in place in the Audio Room (thanks for the help, Timmy), the protective cloth covers were removed to reveal the speakers. To say the Phillips Design OH-16 omnidirectional three-way loudspeakers are unique would be an understatement.
---> Phillips Design OH-16 Omnidirectional Loudspeaker Review.

FiiO R9 Flagship Music Player, Streamer, Headphone Amplifier, And Hi-Res Lossless DAC Review
May the Cube be with you.
Review By Paul Schumann
I've been having a bit of an existential crisis the last couple of years over one basic question: Am I a Luddite? As a young man who grew up with a dad who worked for IBM, I felt I was always willing to embrace new promising technologies. During the late 1970s, we had a prototype for a home computer for a few months. If you wanted to do anything with it you had to program it yourself. In my senior year of high school, I built a Heathkit digital stopwatch to time my friends at track meets. In 1986 I bought a second-gen CD player when you could still find only a handful of CDs in the record store. At the same time, however, I stubbornly hung on to the Dynaco stuff I was using. Why? Because nothing I was listening to in the audio stores sounded nearly as good. Well, there was the Conrad Johnson and Audio Research gear, but it was out of my price range. But it seems that through most of my adult life, I've straddled the divide between "they don't make them like they used to" and "new and improved".
---> FiiO R9 Flagship Music Player, Streamer, Headphone Amplifier, And Hi-Res Lossless DAC Review.

03 / 11 / 26

Live Nation Settles With U.S. DOJ Over Antitrust Probe
Compliance measures and independent oversight for ticketing and live events.
Live Nation Entertainment said in a company statement that it has reached a settlement with the U.S. Department of Justice to resolve an antitrust investigation into its ticketing, promotion and venue operations. The statement frames the agreement as a resolution that will allow the company to move forward while implementing new compliance measures and governance changes intended to address the DOJ's competitive concerns. The company emphasized that the settlement does not constitute an admission of wrongdoing and that it will cooperate with any required monitoring or reporting provisions set out by the agreement. Under the terms described by the company, the settlement will require operational and structural remedies designed to increase transparency and competition in primary ticketing and related services. Those remedies are reported to include strengthened internal compliance programs, enhanced reporting to regulators, and the appointment of an independent monitor or compliance officer to oversee implementation. Live Nation's statement highlights commitments to improve contractual practices with venues and artists and to adopt clearer consumer-facing policies around fees, resale and access to tickets. The company framed the settlement as a way to provide greater certainty for artists, venues and fans while avoiding protracted litigation.

Industry observers say the settlement could have meaningful effects across the live events ecosystem. For consumers, the most immediate impacts may be greater transparency on fees and ticketing practices and potentially more options for primary ticket purchases at some venues. For artists and venues, the remedies could change how exclusive ticketing arrangements are negotiated and enforced. Regulators and competitors will be watching compliance milestones and any follow-up enforcement actions closely; the DOJ's oversight role may include periodic reviews to ensure the company meets its obligations. Live Nation indicated it will publish updates on implementation and continue working with partners to minimize disruption to upcoming tours and events. This settlement marks a significant moment for the live entertainment industry, signaling a regulatory push to balance market power with consumer and artist protections. As Live Nation begins to implement the agreed measures, stakeholders from fans to promoters will be assessing how the changes affect ticket availability, pricing and the broader competitive landscape for live music and events.

On the other hand, this is considered by some to be a small slap on the wrist. The profiteering and other activities by Live Nation / Ticketmaster needs to be further investigated.

Previous High-End Audio News
For previous high-end audio and music industry news click here.