Home  |  Hi-Fi Audio Reviews  Audiophile Shows Partner Mags  News       

High-End High-Performance Audiophile Review Magazine & Hi-Fi Audio Equipment Reviews
Audiophile Equipment Review Magazine High-End Audio

  High-Performance Audio Reviews
  Music News, Show Reports, And More!

  29 Years Of Service To Music Lovers

Enjoy the Music.com Review Magazine

Diana Krall
The Girl In The Other Room

Review By A. Colin Flood

 

Diana Krall The Girl In The Other Room  Last spring, I rushed out to buy the latest studio album from the reigning ingénue Queen of torchy jazz last spring, and then sat petulantly, like a spoiled child on the review. I have matured in my perspective, much as Diana Krall has matured in hers. For a decade now, the young blonde, as healthy as a Scandinavian skier, keened love songs in such a mournful, struggling way that she came to epitomize the melodic crooning of soulful female torches like Billie Holiday and her Diana Ross impersonation. Krall normally belts out classic jazz standards as smoothly as Scotch follows cigars. Yet her 2004 release, The Girl In The Other Room, charts new ground with her avant-garde songwriting husband, Elvis Costello.

No, there is none of his wonderful bopping rock hits on this album either. Those instant classics are still missing, from both of their works. So don't expect "Watching the Detectives" or "The Angels Want to Wear My Red Shoes" by either spouse. Darn.

Krall's first compilation with her husband is still not her best album. The 24-bit/96kHz remix of her first incredible album, Stepping Out, is still the best - though her live and studio releases since then come awfully close.

Costello's lyrics are on three-quarters of the album, while Krall dominates throughout with her incredible voice and dramatically crisp/clear jazz piano accompaniment. Here though, she departs from her standard repertoire for the first time. Not boldly on his songs, but safely. On Costello's work, which is supposed to be more personal and important to Krall, her vocal and piano arrangements strangely don't seem as assured. His songs are more reflective perhaps, but also more sedate. His lyrics aren't as compelling as the revisited ones on the album, including "Temptations" by Tom Waits, which is now a smooth jazz station standard and a Krall single. With other people's work, like Joni Mitchell's "Black Crows," Krall seems to know exactly where she wants to go and she "boldly goes where no man has gone before."

In search of love and music
My whole life has been
Illumination
Corruption
Diving, diving, diving, diving.
Diving down to pick up on every shiny thing
Just like that black crow flying
In a blue sky

On the other songs, Krall etches elegant, refined jazz renditions from Tom Waits, Bonnie Raitt and Joni Mitchell. She interprets Waits' "Temptation" as a sultry jazz tune rather than a jazzy pop song. On all of the songs, she interposes four of my favorite jazz instruments - the assured female vocalist, piano, percussion and acoustic bass - with gentle guitar riffs. This CD still is a jazz CD, but Krall explores nuances of her singing that are fresh and interesting.

1. Stop This World (Mose Allison) 
2. The Girl In The Other Room 
3. Temptation (Waits) 
4. Almost Blue 
5. I've Changed My Address 
6. Love Me Like A Man (adapted by Raitt) 
7. I'm Pulling Through (Herzog-Kitchings) 
8. Black Crow (Mitchell)
9. Narrow Daylight 
10. Abandoned Masquerade 
11. I'm Coming Through 
12. Departure Bay

Costello's material is dark and full of shadows, underscored by the loss of Krall's mother. Krall evokes a hip vernacular of early beat jazz. The songs are neither sentimental, nor sophomoric. The eloquence of Krall's wonderfully sophisticated melodic architecture and rhythmic parlance expresses longing, death and … acceptance. Costello's work shows that Krall is "The Girl In The Other Room." An incomparable jazz artist with a sad personal and folksy/pop sides.

The album is not a bold new direction by a talented artist, but a safe departure, extending her solid torchy jazz tradition. Hopefully, she will alternate these explorations with her husband with more of her instant jazz classics.

Krall is the reigning Queen and sings like a goddess. Krall fans will do doubt eat this CD like caviar -- an acquired taste. Lovers of strong but not flighty female vocalists, like Patricia Barber and Cassandra Wilson, will love her assured voice.

The album is the first co-produced by Krall and her long-time producer Tommy LiPuma. It is gold in France, England and Portugal; double platinum in Canada.

 

 

Enjoyment:

Sound Quality:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     
 

Quick Links


Premium Audio Review Magazine
High-End Audiophile Equipment Reviews

 

Equipment Review Archives
Turntables, Cartridges, Etc
Digital Source
Do It Yourself (DIY)
Preamplifiers
Amplifiers
Cables, Wires, Etc
Loudspeakers/ Monitors
Headphones, IEMs, Tweaks, Etc
Superior Audio Gear Reviews

 

 


Show Reports
HIGH END Munich 2024
AXPONA 2024 Show Report
Montreal Audiofest 2024 Report

Southwest Audio Fest 2024
Florida Intl. Audio Expo 2024
Capital Audiofest 2023 Report
Toronto Audiofest 2023 Report
UK Audio Show 2023 Report
Pacific Audio Fest 2023 Report
T.H.E. Show 2023 Report
Australian Hi-Fi Show 2023 Report
...More Show Reports

 

Videos
Our Featured Videos

 


Industry & Music News

High-Performance Audio & Music News

 

Partner Print Magazines
audioXpress
Australian Hi-Fi Magazine
hi-fi+ Magazine
Sound Practices
VALVE Magazine

 

For The Press & Industry
About Us
Press Releases
Official Site Graphics

 

 

 

     

Home   |   Hi-Fi Audio Reviews   |   News   |   Press Releases   |   About Us   |   Contact Us

 

All contents copyright©  1995 - 2024  Enjoy the Music.com®
May not be copied or reproduced without permission.  All rights reserved.