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  Celebrating 29 Years Of Service To Music Lovers

 

 

 

CES 2000

 

  Enjoy the Music.com proudly presents a brief history of our Lifetime Achievement Award winner Wilson Audio Specialties Inc.

 

Sound Reproduction by Gilbert Briggs

 

David Wilson initially became interested in Hi-Fi on Christmas of 1959. His hunger lead him to find out more about it. The above book, Sound Reproduction by Gilbert Briggs, if filled with great wisdom and humor according to David. Because of the wonderful communication skill of Gilbert, it brought about an even higher interest in music reproduction within David.

 


Eico HF-89

 

The first few years of college David built kits like those from Dyna, Heathkit and Eico. In fact the first kit David built was a Heathkit SA12. The above Eico HF-89 was built by David Wilson back in 1963 or so. The loudspeaker system he was using at that time was tri-amplified.

 

Moded AR Turntable

 

In the early 1970's he moved forward to upstream equipment modification. He tried the then popular AR turntables but disliked the tonearms. He therefore applied a few of his own unique modifications as seen here which allowed the SME 3009 tonearm to be correctly integrated into the AR suspension. Dave made these while living in Illinois during 1973. A total of approximately 20 units were made by David.

 

Assorted pieces of recording gear.

 

While in Chicago, the radio station WFMT would broadcast the symphony orchestra and David, being the great music lover, used a Marantz 10B tube tuner which David claims produced a "tremendous sound". David later bought a Revox A77 (top center in photo above) stereo reel to reel tape recorder because it could maintain higher sound quality versus a standard cassette deck. Revox was also well known to offer superior music recording capability. Eventually David moved to sunny California and decided to begin recording music such as chamber and pipe organ. Therefore good microphones were needed. The AKG 14 and the Schoeps CMC-36 were purchased which, in turn, became the music produced under the Wilson label.

Of course one also needs a very high quality microphone preamplifier. As seen within the above photo to the bottom left is David's personally modified Audio Research SP-3. This unit was modded with adjustments for bias optimization for each tube. Also, a plug-in card arrangement for microphone or phono inputs was devised. Meanwhile an external power supply was provided for to enhance the overall sound quality of his SP-3. The Wilson Audio recordings received critical acclaim over the years. This gave him further insight into truly understanding the true sound of a live performance.

 

 

David wrote a few articles for The Absolute Sound during 1978. David wisely chose to use his master tapes to evaluate equipment. Due to Dave's ability to compare live music to tape, he developed the Wamm. He further developed it and, to his amazement, they were selling quite well at their very substantial $48,000 per pair pricing back in 1982. These early Wilson Audio Specialty speakers were literally "garage built" units since David maintained his "day job" designing medical equipment for cutter laboratories. The Watt was later developed in August of 1975 because of his desire for a more sonically accurate sound monitoring within the studio as compared to the then studio standard minimonitors. Two prototypes of the Wilson Watts were shown at the WCES 1986. It was not intended to a product, as it had no usable bass, yet did so many other things so well is was presented as a product in June CES of that same year.

Hundreds of these little minimonitors were sold! Eventually home-building speakers was no longer an option, David needed more physical space for his speaker building business. Therefore David Wilson rented a larger shop space, 2,400 square feet, and so it began...

 


David Wilson proudly holding his Enjoy the Music.com Lifetime Achievement Award

 

The Watt companion, the Puppy, was introduced in 1989. David says this is when things truly "took off". More models were introduced and sales were going well. To Dave's surprise, 150 pair of the X/1 Grand Slamm loudspeakers were sold the very first year! Needless to say it was time for David to quit his "day job" in favor for his own inventions. In 1982, to be exact, he decided to quit his job and offer his full attention to the loudspeaker business.

 


Various Awards

 


Actual Watt/Puppy speakers used to mix many popular movies

 

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