Home | High-End Audio Reviews | Audiophile Shows | Partner Mags | Daily News | Search     

  High-End Audiophile Review Magazine & Audio Equipment Reviews

  High-End Audiophile Equipment Reviews
  Gear Reviews, News, Show Reports, And More!

  Celebrating 26 Years Of Service To Music Lovers




























Capital Audiofest (CAF) 2013 Show Report
Part 3 Report By Kemper Holt

One of the most gracious room hosts, Klaus Bunge who is Odyssey, transformed his space into an oasis for the ears and eyes. Another veteran who knows getting good sound out a hotel room involves some acoustic treatments, courtesy of GIK. The system is all Odyssey, Lorelei floorstanders, Candela pre, and a pair of Khartago amps, all wired up with Groneberg Quattro cables, sit down now, the entire system comes to $5700. Nothing up his sleeve, no crazy expensive electronics or cables, an entire great sounding system for the cost of some company's interconnects. Here is a complete setup within reach for most of us, and it sounded stunning. It had all the prerequisites to make you smile, wide and deep soundstage, focused natural vocals, dynamics and impactful bass. This system reeked with emotion; I spent a lot of time here listening to not only my music, but selections I've never heard because it communicated the feeling of the music. When friends remark on the cost of our hobby, Odyssey is one of the options I mention that provides high end systems at affordable prices.


Command Performance, Raidho, Hegel, VPI
The small Harbeth P3ESRs had already changed my mind about what to expect from a small speaker; then I heard the D-1 from Raidho. Expectations raised another notch. Supported by strikingly modern stands, the Raidho's really rocked, they played loud, went deep, completely disappeared, and were very transparent. I thought vocals and percussion were particularly real sounding. Another local dealer, Command Performance used Hegel electronics, P30 pre and H30 amp, CDP 2A player in the system. A VPI Classic 4 in rich rosewood topped the rack off, sporting two tonearms, for those who need two flavors for their vinyl listening.


Sonic Hemisphere, now Black Moon Audio
Another newcomer, these guys changed their name after the show, now called Black Moon Audio. I heard their Fidelity One full range speakers ( $6599 per pair), driven by a pair of Clayton mono blocks, a good match. The speaker cables were Slinkies, I mean Anti Cables as the spiraling look had me do a double take. These are a solid first effort, hard to locate the speakers, nice 3-D soundstage, deep powerful tight bass, natural vocals, and a pleasantly detailed top end. The Clayton's controlled the woofers with an iron grip and let the metal dome tweeter sound sweet. The "Avalonesque" looking cabinet looked beautiful yet edgy. They have a small monitor that I did not get a chance to hear. Black Moon also markets an affordable, $229, Synapse 180 power conditioner. This was a room to relax in and listen to music. Good showing Dave and Sid.


Border Patrol
With low power amps, speaker matching is critical. Gary Dewes of Border Patrol did a perfect job using a pair of 94dB/W/m sensitive Living Voice OBX-RW speakers driven by his P20 amp, a parallel single ended unit with two 300Bs per channel producing 18 watts per side. Gary is all about power supplies and the P20 uses a pair of outboard power supplies, one for each channel. I believe the massive power supplies are one way Gary gets such extension at the frequency extremes, something most other 300B designs are not noted for. When I played Flim and the BB's Tricycle, the system was excitingly alive and dynamic and the drum kit truly powerful. Voices had real body and were natural. Gary says even bigger power supplies might be on the horizon.


LKV Research
Wait a minute, is that "Down on the Corner" from Creedence Clearwater Revival I hear coming from this room? I have to go in and hear what's going on. This over 40 year old album is sitting on a Classic 2 VPI table, with a Lyra Delos cartridge. The Magnepan 1.7 speakers were mated to an unusual choice in amps, tubes courtesy of conrad-johnson's Premier 11. The preamp was a prototype from LKV, and the star of the room, a Phono 2-SB, $2500. The Phono 2-SB features variable cart loading and gain options. It apparently does not take megawatt solid-state amps to make the 1.7s sound alive, this system kept me around for a few record sides, including flipping over Willie and the poor boys for Fortunate Son.


Next page --->












































Quick Links

Audiophile Review Magazine
High-End Audio Equipment Reviews


Equipment Review Archives
Turntables, Cartridges, Etc
Digital Source
Do It Yourself (DIY)
Cables, Wires, Etc
Loudspeakers/ Monitors
Headphones, IEMs, Tweaks, Etc
Ultra High-End Audio Reviews


Enjoy the Music.TV


Editorials By Tom Lyle
Viewpoint By Roger Skoff
Viewpoint By Steven R. Rochlin
Various Think Pieces
Manufacturer Articles

Show Reports
Pacific Audio Fest 2022 Report
T.H.E. Show 2022 Report
HIGH END Munich 2022
AXPONA 2022 Show Report
CanJam Singapore 2022 Report
Salon Audio Montréal Audiofest 2022
Florida Audio Expo 2022
AudioCon Los Angeles 2022
Capital Audiofest 2021 Show
The HiFi Summit Q2 2021
T.H.E. Show 2021 Report
The HiFi Summit Q4 2020
The HiFi Summit Q2 2020
Bristol Hi-Fi Show Report 2020
Click here for previous shows.


Audiophile Contests
Cool Free Stuff For You
Tweaks For Your System
Vinyl Logos For LP Lovers
Lust Pages Visual Beauty


Resources & Information
Music Definitions
Hi-Fi Definitions


Daily Industry News

High-End Audio News & Information


Partner Print Magazines
Australian Hi-Fi Magazine
hi-fi+ Magazine
HiFi Media
Hi-Fi World
Sound Practices
The Absolute Sound
VALVE Magazine


For The Press & Industry
About Us
Press Releases
Official Site Graphics


Contests & Our Mailing List

Our free newsletter for monthly updates & enter our contests!




Home   |   Industry News   |   Equipment Reviews   |   Press Releases   |   About Us   |   Contact Us


All contents copyright©  1995 - 2022  HighEndAudio.com and Enjoy the Music.com®
May not be copied or reproduced without permission.  All rights reserved.