North American Premiere
Chord Electronics QBD76 DAC
Is it up to the challenge of getting the best out of Redbook, Bluetooth and high resolution sources.
Review By Phil Gold
here to e-mail reviewer.
Here is a company that marches
to the beat of a very different drummer. While some companies are renowned
for their unusual circuit design and others bring a distinctive flair to
the industrial design, Chord Electronics do both, and in spades. Here is
the Chord QBD76 DAC, a special unit to write home about and one with a
firm eye on the future of digital audio. The styling
of the Chord QBD76 DAC, while stunning, is a continuation of a theme the
company has been developing for years. The form factor is like no other
– compact, futuristic, with graceful curves, controls set in an arc and
a circular porthole so you can see the magic inside. I would call it
beautiful, were it not for the antenna that speaks to its wireless
capabilities. Without doubt the cosmetics and the stunning quality of fit
and finish must add to the price, but as we shall see, this doesn't stop
the QBD76 from representing strong value for money at $5995.
Any DAC will convert a digital stream to
analog, and where they differ in functionality is how many different types
of digital stream can be accommodated. This one can take standard
16-bit/44.1kHz inputs of course, but also high resolution PCM up to
24-bit/192kHz. There are two AES Balanced XLR inputs, two 75 Ohm SP/DIF
BNC Coax inputs, two TosLink inputs and a USB (type B) input, in addition
to a true CD quality wireless link using the A2DP option under Bluetooth.
You need the dual inputs to accept the high resolution 24-bit/192kHz or
24-bit/176.4kHz digital signals. If you buy the matching Chord Blu
Transport, it will have the corresponding dual outputs.
Unlike most manufacturers, Chord doesn't
use any of the readily available DAC chips. They prefer to roll their own,
using Field Programmable Gate Arrays (FPGAs). The latest generation Xilinx
Spartan 3 FPGA offers 1.25 million gates, allowing the designers to
implement eighth order noise shaping, the highest of any manufacturer. The
FPGA handles input switching, digital S/PDIF decoding, a digital Phase
Locked Loop (PLL) to reduce jitter, a RAM buffer controller, WTA filtering
as well as a fifth generation pulse delta/sigma DAC.
Let's examine the Pulse DAC for a minute.
Like other delta/sigma DACs it employs a noise shaper and an output
truncator. Truncation to the required output resolution increases noise
and generates distortion. The noise shaper reduces the noise within the
audio bandwidth and it does this through integrators. The number of
integrators determines the order of the noise shaper. It can do an
excellent job with most in-band distortion and noise but is less
successful at high frequencies, which must be removed with analog filters.
The complex eighth order noise shaping is designed to optimize this
process and minimize the amount of analog filtering required. Chord claims
virtually perfect performance in this area, well ahead of its rivals.
You may be wondering what WTA filtering is.
WTA stands for Watts Transient Aligned, and the WTA filter is an algorithm
developed over thirty years to preserve the all important transient
information in the original digital signal while removing the spurious
content of that signal. Chord's highly successful DAC64, the predecessor
to this unit, used a tap length of 1024 taps to implement the filter, but
the new FPGA allows Chord to extend this to an amazing 18432 taps using 18
separate DSP cores. Moving to 4096 taps allowed substantial changes to the
algorithm, but moving higher still entailed extensive experiments and
listening tests. Chord feels the effort has paid off in improved transient
accuracy, and it is this that provides the most stable image, improved
timing and pitch definition. All this results in a more accurate
reproduction of musical instruments, particularly in the bass. For the
computer nuts, Chord claims a DSP processing power of 2120 MIPS.
The chief enemy to fatigue free listening
for digital devices is jitter – timing errors. Many DACs employ an
analog PLL to derive a master clock to run the DAC. This creates a clock
in sync with the incoming S/PDIF signal. Unfortunately, such PLLs create
random jitter, and also the more damaging data-related jitter. You can
avoid this latter problem by introducing a RAM buffer and using a local
quartz clock to provide timing. For this DAC, Chord has introduced a
digital PLL which removes all data related jitter and reduces random
jitter to a very low value. This digital PLL also reduces distortion
inherent in the analog PLL designs. You have the option of using the RAM
buffer (1 second or 4 second) or the digital PLL in the QBD76.
Note that this is not the only way to
remove jitter from the DAC. Some manufacturers have instead implemented an
asynchronous mechanism, as used in a lot of telecommunications networks.
So much for technical wizardry, and as to the cosmetics,
you be the judge. What remains is to describe the user interface and then
it's on to the listening test.
Once you've made your connection, you have
three top mounted push buttons to control digital source, RAM buffer (max,
min and off) and phase. A small window in front of the buttons shows you
what you have selected, and when a source is selected, it will show you
the sampling frequency. No need for a remote control here. I
listened to USB and Bluetooth audio and can confirm both work exactly as
expected. It's great to have these connectivity options, but the meat and
potatoes of a DAC like this is how it performs with your CD collection,
and what it can do with a high resolution source.
For these tests I used a very high
performance drive unit, the EMM Labs TSD1. I connected the two units using
a 1 meter length of Van den Hal Digital XLR halogen free cable, and I had
access to a standard Redbook signal (from CDs) and a high resolution
24-bit/88.2kHz signal derived from SACDs. I also used my reference CDSA SE
SACD player as a digital source but without a doubt, the TSD1 did a better
job, so I'll concentrate on that one.
no doubt about it, this is one superb DAC. It has such high resolving
power that it will expose the full strength and weakness of the material
you send through it. That is to say it's quite unforgiving of poor digital
recordings and demonstration class on the best material. So whether you
want this DAC in your system may well depend on what kind of collection
you have. Unlike some DACs it operates at full strength throughout the
frequency range, and does a remarkably good job with dynamics, both in
absolute terms and in the preservation of transients and low level details
which might easily be hidden in the mix. A Redbook recording of course has
its own limitations and there is no magic elixir hear or elsewhere to
overcome the limitations of the medium. However, it will go a long way
towards getting the best out of CDs, to a level that very few DACs can
match, and only, to my knowledge, that undercut the QBD76's price tag. The
challenger I refer to is the Berkeley Audio Design Alpha DAC which was
making excellent sounds in the TAD room at CES. It sells for $5000 but has
neither USB nor wireless inputs, so cannot be considered a direct
Amplification in these tests comes from the
Perreaux R200i, speakers are Wilson Benesch Act 1 and also a pair of X1
Monitors from Quebec's Lafleur Audio, while cabling is Nordost Valhalla
from end to end. One point to mention is the Chord has a relatively high
output level of 3V (unbalanced) and 6V (balanced), but this should not
cause any problem with most amplifiers.
Let's get into the details. The first step
is to determine the effect of the RAM buffer. Note using a RAM buffer is
not a viable option if you've working off a video signal, since the delay
introduced by the buffer will make the music out of sync with the visuals.
I found the buffer made a considerable difference to the sound, although
there is a very small difference between the min and max buffer sounds.
You may prefer the minimum buffer since it makes the DAC more responsive,
and you don't find yourself listening to track 3 while your transport
tells you you're playing track 4. The four second difference can be
disconcerting. As you introduce the RAM buffer the shrillness on trumpet
is eliminated and the space around the instruments opens up, with greater
detail available to each instrument. The larger buffer gives a darker
background and a further relaxation to the listening experience, most
noticeable in string tone.
CD Redbook Audio:
Concerto No 2 [Hyperion CDA67425] illustrates superb bass
control, articulation and presence. The piano is large and dynamic with
bags of detail and power. The orchestral explosions are sharp, shocking
and undistorted. This is magical and a close match for the reference EMM
Labs CDSA SE.
Holly Cole's "My Baby Just Cares for Me"
from Girl Talk [Alert Z2
81016] quickly had me shuffling my feet and madly singing along, much to
the distress of others in the vicinity. Transient response and pitch
accuracy for the plucked bass are exemplary here while the image size is
unusually intimate. This track has a sexy feel that makes you feel good
about all the $$s you've invested in your hobby. Musicality in spades!
Dr. Ray Kimber has produced some wonderful
sounding SACDs using his IsoMike technology, and the Fry Street Quartet's
recording of Beethoven String Quartet Op 18 No 2 is no exception. Here I'm
listening to the CD layer of this Hybrid disc. The sound is quite sharp
with rough edges to some of the more aggressive playing while the image is
wide spread but not very three dimensional. In other words, it sounds like
many other well recorded chamber music discs on CD – good but not great.
There's no fatigue factor here and my slight dissatisfaction comes from
knowing just how good the SACD layer of this disc can sound. For example,
on the CDSA this is a recording of a very rare quality indeed, sweet,
natural, focused, colorful, jaunty. It is fully open and listening to it
is a relaxing experience. All those who insist SACD is not and cannot be
an improvement on CD, please form a line on the left. For the rest of you,
I urge you to attend one of Dr Kimber's demonstrations, where he reveals
the full beauty SACD has captured on this disk using four identical
speakers, two front-channel and two-rear channel. So in relative terms,
the CD layer is disappointing, but in absolute terms, this is one helluva
CD. We'll come back to this disc in a minute.
My old favorite "Ansa Djallo" from Lilison
Di Kinara's Bambatulu [MUS 2-1119] plays full scale, powerful, detailed
and with a wonderful sense of timing. The layering is superb here and the
bass definition is once again extraordinary. If you life African music,
buy this disc, even if it was recorded in Montreal.
High Resolution Audio:
Now we're listening to a high resolution PCM data
stream derived from the DSD layer of SACD. Let's go straight back to the
Fry Street Quartet's Beethoven. The sound has that immediacy the CD layer
lacks, bound up in a natural, powerful dynamic. The roughness is nowhere
to be found, and this combination comes close to the sound of SACD played
through a top player like the reference CDSA SE. This bodes well for the
future when a large number of recordings at 176.4kHz or 192kHz will be
more readily available.
Another top quality recording comes
courtesy of Mark Levinson's Red Rose
Music Vol1 [RRM 01]. Kenny Rankin's version of the Beatles
classic "Blackbird" gains immeasurably in the transition from Redbook to
high resolution. What was once somewhat slow, thick and loosely focused is
now beautiful and flowing, more intimate and tuneful at once, giving away
very little to the full SACD treatment within the CDSA SE.
There are many different ways to get an ultra high
resolution digital signal into a DAC. EMM Labs have their own proprietary
method over an ATT glass connection, Chord offers dual XLP, BNC or
TosLink, and Esoteric and dCS will have theirs. If this is important to
you, choose carefully to match the transport or computer of your choice. I
can assure you the Chord is fully up to the challenge of getting the best
out of Redbook and Bluetooth, and exceptional performance from a true high
resolution source. They may not be the only company to do so, but with the
QBD76 they have thrown down a challenge to all rivals with their
flexibility to accept USB and uncompressed wireless signals from a wide
range of cell phones as well as the more traditional inputs. Cosmetically
this is way ahead of the pack and forms a perfect match for the other
components in the Choral line. Check out the superb angled metal stands
that show off the aesthetics of this standout series.
predict Chord's new QBD76 DAC will repeat the success of the DAC64 which
it now leaves in the dust. The only question is, do you want the brilliant
silver finish or the jet black?
Type: Digital to analog converter (DAC)
Harmonic Distortion: < -103dB at 1 kHz 24-bit at 44.1 kHz
Signal To Noise ratio: > 120dB
Channel Separation: > 125dB at 1kHz
Dynamic Range: 122dB
2 x 75 Ohm S/PDIF BNC Coax
2 x AES Balanced XLR Input
2 x Plastic fiber optic (TosLink)
1 x USB (B type)
1 x Bluetooth supporting A2DP Stereo Audio
RAM Buffer: Off, minimum (1 sec), maximum (4 secs)
Phase Switch: Positive or negative output phase
32 kHz to 96 kHz single cable
176.4 kHz and 192 kHz double cable
Maximum Output: 3V (unbalanced), 6V (balanced)
Output Impedance: 75 Ohm
Dimensions: 33.8cm x 6cm and 14.5cm
Chassis Material: Solid aluminum available in silver or black finish
Weight: 15.4 lbs
Kent, ME16 9NB
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