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enjoy the music!
10 / 16 / 25

Toronto Audiofest 2025 High-Fidelity Audio Showcase
Toronto Audiofest 2025 will launch this weekend at The Westin Toronto Airport, drawing audiophiles, music lovers, industry insiders, and curious newcomers to one of North America’s premier high-end audio events.
Enjoy the Music.com's
exclusive Toronto Audiofest 2025 show report / coverage will be online shortly after the event. Running from October 17th through 19th, the show features over 100 exhibitors across multiple floors, showcasing the latest in stereo systems, streaming technology, and immersive sound environments. Legacy stereo systems, modern immersive audio, and personal audio EARVANA, Canada’s first dedicated headphone festival where attendees can demo flagship models from leading brands in a quiet, curated listening space.
Visitors can experience both Hi-Res Audio stereo and multi-room audio setups, high-resolution true lossless music streaming, plus analog turntable and reel-to-reel rigs designed for both performance and aesthetic appeal. The Toronto Audiofest also includes panel discussions, product launches, and hands-on demos that cater to both seasoned audiophiles and curious first-timers. Beyond the gear, Toronto Audiofest fosters a vibrant community atmosphere where music lovers connect over shared passions. The show’s layout encourages exploration, with themed rooms offering curated sound experiences and opportunities to speak directly with designers and engineers.
Enjoy the Music.com looks forward to seeing you there! Whether attendees are seeking their next upgrade or simply indulging in sonic discovery, Toronto Audiofest 2025 delivers a weekend of craftsmanship, culture, and cutting-edge audio
innovation.
---> Toronto Audiofest 2025 High-End
Audio Show Report.


High Style In High-End Audio
You don't need to be an Audiophile OG to chill with a sense of style.
Editorial By Steven R. Rochlin
Have
been taking photos of audiophile gear for many decades, and am always impressed
by the creative flow of many designs. Below are a very small sampling of the incredibly
talented engineering and design by a variety of high-end audio manufacturers.
Please note that photo descriptions are also vintage, so some products may not
be available and / or pricing has changed. Enjoy! Oh by Tutondo had perhaps the most stylish purpose-built listening chair as a pair of their dual cone round loudspeakers are placed right and left of the listener at precise placement as acoustic foam wraps around the remaining section behind the listener. Perhaps it is another offshoot of headphone listening? A small subwoofer on the floor assists in producing the lowermost frequencies. Alas, it is not for sale but the total price is about
€1000 for the chair and €1300 according to the loudspeaker representative. So here is a hint to anyone reading this. You have a photo and basic design idea, now get to building it and you're welcome.
--->
High Style In High-End Audio.
Sonus faber Olympica @ World Of McIntosh NYC
A good high-end system is akin to a time machine.
Review By Tom Lyle
Last
year I took a
tour of World Of McIntosh, a very impressive five-story luxury
townhouse in the Soho neighborhood of downtown New York City. World Of
McIntosh is an amazing place, packed with working audio systems featuring
gear from McIntosh, Sonus faber, Pro-Ject Audio Systems, Audio Research, and
more. This luxurious space is used as an event space, for invitation only audio
tours, and for anything else one who wants to use a space "where music and
design are merged in a way that's striking, memorable, and undeniably enjoyable".
While I was there last year I didn't take a dip in their heated indoor swimming
pool, which is one of only 11 privately owned pools located in NYC, or watch any
films on their 160" projection screen, but I did hear some great music on a
number of audio systems, and even had time for a latte in their custom-built
fully functioning kitchen. Last month I was again invited to World
Of McIntosh townhouse, this month to hear the newest Sonus faber product
line, their Olympica
Nova, which, according to Sonus faber updates their older models with
new crossovers and drivers, new cabinet structures, and internal volume tuning.
--->
Sonus faber Olympica @ World Of McIntosh NYC.
10 / 15 / 25

The
Tokyo International Audio Show 2025 Hi-Fi Event
The 2025 edition of the prestigious Tokyo International Audio Show runs from October 17th through 19th at the Tokyo International Forum, marking the
event's 42nd edition and reaffirming its place as one of Asia's most patient, demo-focused gatherings for audiophiles, immersivephiles, and industry professionals. Organizers emphasized a relaxed listening environment, running advance-reservation entry and staggered demo schedules to preserve sound quality and give visitors time with each system. The
show's layout favors room demonstrations over crowded booths, letting attendees judge equipment in near-real listening conditions. Another benefit, unlike many others shows throughout the world, Japanese crowds tend to be quiet, especially within listening rooms as a show of respect.
Exhibitors and product launches will span the full audio spectrum, from high-end room systems and audiophile tube electronics to a dense selection of headphones and personal audio gear; the program lists more than 200 brands represented by roughly 33 Japanese and international exhibitors. Several manufacturers plan to use the Tokyo platform for regional debuts and extended listening sessions, with attention focused on new Hi-Res Audio DACs, integrated amplifiers, and modular headphone systems that aim to blend modern digital performance with classic analog warmth. Show floor activity will reflect broader industry trends toward personalization and hybrid signal chains. Many booths paired room treatments and calibrated source chains to showcase subtle differences between digital filters, tube rectification choices, and loudspeaker voicing, producing lively technical discussions among engineers and enthusiasts. The
event's schedule includes panel talks and maker Q&A sessions that highlight product development
stories.
10 /14 / 25

One Month Away: Capital Audiofest 2025 Show
Capital Audiofest (CAF) 2025 is set to take place from November 14th to 16th at the Hilton Rockville in Maryland, continuing its legacy as the East Coast's largest and most beloved high-end audio show. The event will run from 10 a.m. to 6 p.m. on Friday and Saturday, and 10 a.m. to 4 p.m. on Sunday, offering three full days of immersive listening experiences, gear demos, and community engagement.
• Multiple AV Rooms. That's right, immersivephiles rejoice!
• Nightly After Hours Parties!
• Over 120 Rooms and 50 Booths!
• Free Fun Photo Booth - Photos directly to your email!
• The Washington Room is now a large Demo room! Guess who?
• Guest Speakers/Seminars have moved into the Atrium! Three full days.
• CAF added two large Demo rooms across the street at the EVEN Hotel!
• CAF has two nights of great live music! See the The Nighthawks and Ultrafaux
• Bring your entire family! Students are FREE!
• Purchase your tickets online beforehand and beat the lines.
---> Enjoy the Music.com's Exclusive
Capital Audiofest 2025 Show Report.
10 / 09 / 25

World Premiere Review!
Art Audio Opus 4 And Carissa Vacuum Tube Amplifier Review
Two amps from Art Audio and two pairs of speakers from Quad determine ideal combinations.
Review By Bob Grossman
My musical listening times have
been quite active and busy over the past couple of months as I have mixed and
matched various combinations of two vintage Quad speaker models along with two
new beautiful amplifiers from Art Audio based in Nottingham, U.K. I have been on
a year-long listening and learning pilgrimage revisiting memories and prior
experiences from hearing Quads decades ago. I acquired restored Quad 57 and 63 speakers from the renowned
specialist Sheldon Stokes of SDS Labs in New Hampshire, USA as the starting
point for understanding and hearing both electrostatic models designed by Peter
Walker. The focus of this review project is the Art Audio Carissa stereo amplifier and
the Art Audio Opus 4 monoblock amplifier pair. Both amplifiers
were used in rotation for both pairs of speakers.
--->
Art Audio Opus 4 And Carissa Vacuum Tube Amplifier Review.
World Premiere Review!
Margules Audio U-280SC 30th Anniversary Limited Edition Vacuum Tube
Amplifier Review
Realistic sound with extended frequency extension... plus tube rollers can rejoice too!
Review By Tom Lyle
Margules Audio is a high-end
audio company that produces a full line of components. It is headquartered in
Mexico City, Mexico, and although the Margules Audio U-280SC 30th Anniversary
Limited Edition vacuum tube stereo amplifier review you're about to read is
brand new, the company has been in business since the early 1980s. The Margules
family – now including third and fourth-generation members – has been
involved in audio in one way or another since the early part of the twentieth
century, when Mr. Jacob Margules, a European engineer. He also contributed to
the building of radio stations and electrification in Mexico as they
manufactured wind-up gramophones, followed by tube radios, plus they distributed
industrial parts too.
--->
Margules Audio U-280SC 30th Anniversary Limited Edition Vacuum Tube Amplifier
Review.
10 / 08 / 25

AuroMasters Streaming Music Service For Immersivephiles
Goer Dynamics B.V. today announced that its adaptive streaming codec AURO-CX is powering AuroMasters, a newly launched global music streaming platform dedicated to immersive audio, marking a major advance for high-resolution three-dimensional sound delivery. The service positions AURO-3D technology at the center of a commercial effort to bring studio-grade immersive music to mainstream listeners and to revive album-focused listening with a curated catalog of remastered and reimagined releases. AuroMasters bills itself as the
world's first Immersive Music Jukebox, offering both legacy albums and new talent mixed in Auro-3D and presented through an experience designed by Grammy Award-winning engineers. AuroMasters deploys AURO-CX in Adaptive Bitrate mode so the same high-resolution master recording is delivered with the best possible quality for each
listener's network conditions, rather than downscaling to a separate low-resolution file. That dynamic delivery preserves immersive detail and artistic intent whether a listener is on a stable home connection, mobile bandwidth, or an Android TV, and requires no specialized gear beyond a phone and headphones or an AURO-3D or Dolby Atmos compatible speaker setup.
The platform uses a credit-based monetization system that lets users preview music for free and unlock full tracks on demand with per-track prices starting around
€1.50 to €2.00, and it initially launches in Europe, the UK, the USA, and Japan with more markets coming soon.
"With AuroMasters, we are realizing a long-standing dream: bringing Immersive Music in studio-quality directly to listeners
everywhere," said Wilfried Van Baelen, CEO and Founder of AuroMasters, underscoring the
service's artist-focused economics and tighter fan-creator relationships. Rudy Van Duppen, CEO of Goer Dynamics, added that AURO-CX, built on
AURO-3D's two-decade legacy, ensures seamless delivery of studio-grade 3D audio across devices and networks. The combined technology and business model aim to rebalance streaming economics while making high-emotion, three-dimensional music accessible to consumers at
scale.
10 / 07 / 25

Musical Artist Dominique Fils-Aimé At HIGH END 2026
The HIGH END SOCIETY has named Dominique Fils-Aimé as the official brand ambassador for HIGH END 2026, which takes place June 4th through 7th (2026) at the Austria Center Vienna in the music-rich city of Vienna. Under the theme The Power of Music, the trade show positions the celebrated Montreal singer as a living example of
music's ability to connect people across genres and cultures. Fils-Aimé will attend the show in person and serve as guest of honor at the opening press conference, reinforcing the
event's cultural as well as technological focus. Dominique Fils-Aimé is celebrated for a voice that bridges blues, jazz, soul, and Afro-American music history with contemporary sonic explorations, and her work has won critical acclaim and multiple awards, including several Juno Awards and Polaris Prize nominations. HIGH END Managing Director Stefan Dreischärf highlights her fit for the role, saying the organization
"was able to enlist an extraordinary musician who stands for emotional depth, artistic diversity and audiophile
quality," and that she underscores the show's international credo of blending music, technology and culture. Her presence promises curated musical moments and a visible embodiment of the
show's theme throughout the program.
After 21 years in
Munich,
and some years before that in Frankfurt, HIGH END's move to Vienna marks a major milestone for the
world's leading high-end audio trade show, with invitations to exhibitors already sent and registrations showing strong early interest for the new Austria Center Vienna venue. The four-day event will assemble hundreds of exhibitors from more than 40 countries, serving as the
sector's primary B2B platform where manufacturers, dealers and representatives meet, conduct business and reveal innovations alongside immersive listening experiences. Framed by
Vienna's storied musical heritage, HIGH END 2026 aims to launch a culturally inspired chapter that blends commercial momentum with artistic
programming and heightened international attention.
10 / 06 / 25
Hi-Fi+ October 2025 High-End
Audio Magazine
Editorial: A Stream Of New Hi-Fi Products To Enjoy
D'Agostino Pendulum Integrated Amplifier
Allnic Audio D-15000 Signature OTL/OCL DAC
Kharma Elegance dB9-Diamond Floorstanding Loudspeaker
Metronome c/AQWO 2 DAC And Streamer
Musical Fidelity M8x Digital-To-Analogue Converter
Diptyque DP115 Floorstanding Loudspeaker
Burson Timekeeper Voyager Mono Power Amplifiers
Saltwood Sounds Finisterre Floorstanding Loudspeaker
Fell Audio Amp Integrated Amplifier
Synergistic Research PowerCell 8 SX Power Conditioner
...And Much More!
Within this month's editorial, Alan Sircom says
"As we lean into the last months of 2025,
hi-fi+ approaches two landmarks; our annual Awards issue and our 250th edition. The naysayers still claim the end of the audio business and printed media are only days away from imminent demise.
We're still going 26 years and coming up for 250 issues later, and the steady stream of new audio products continue to amaze. Maybe those reports are greatly
exaggerated! It's easy to catastrophise and confuse 'change' with 'collapse'. No one would deny the audio world has changed greatly since 1999. But that change is more often than not for the better. Yes, the roadmap for CD-based sources looks to take the format through some very arid places. But, equally,
we're seeing the blossoming of really great sounding streaming products at all
levels. The 'at all levels' part shouldn't be understated. We're seeing a flourishing of extremely affordable audio, offering good performance while still at low prices."
---> Hi-Fi+'s
October 2025 High-End Audio Magazine.
10 / 01 / 25

Just Posted! October's Exciting
Luxury Audio Review Magazine
Exclusive first-look gear reviews — a must-read
issue.
The October issue of Enjoy the Music.com's Review Magazine delivers a rich mix of in-depth gear reviews, editorial features, and sonic storytelling aimed at serious listeners and industry insiders. We have multiple World Premiere gear reviews this month, with detailed evaluations of Voxativ's Hagen2 Tower high-end loudspeakers, the outstanding Audience FrontRow Reserve PowerChords, the impressive Lindemann Woodnote SOLO Network Player /
DAC... with each review focused on real-world listening impressions, build quality, and how products perform within a luxurious audio system. The issue's editorial balances a discussion about technical measurements with evocative descriptions, helping you understand both the specifications and the emotional impact of standout components.
This edition also includes feature articles that explore trends shaping the high-end audio landscape, including a flashback about the problems with CD rot from industry experts. For enthusiasts seeking actionable insight,
Enjoy the Music.com's October 2025 Review Magazine offers tips, advice, and suggestions for
getting the best from your power cables and in achieving a cohesive
soundscape. Whether you're refining a high-end audio reference sound system
within a dedicated listening room, something modest for your home office, or exploring aspirational audiophile upgrades, this issue provides practical guidance, inspiration, and focused reviews to help you make informed decisions. As always, in the end what really matters is that you...
enjoy the music!
---> October's Exciting Luxury Audio Review
Magazine.
Not Even The (Audiophile) Earth Is Flat
The myth of 'Flat Frequency Response'.
Article
By Roger Skoff
Back
well over half a century ago, that's 50 years, when I was a kid Hi-Fi Crazy, I
had no money (kids never do), but I had been bitten badly by the High-Fidelity
Audio (Hi-FI) bug, and – if I couldn't buy all of the toys and goodies that
I so thoroughly lusted after, I could at least learn about them. So, like, I
suspect, so many of us, I read everything I could find about Hi-Fi and Hi-Fi
gear and started collecting (Yes, and even memorizing) "spec" sheets. Most manufacturers
don't provide them nowadays
but, back then, everybody, and I and all my young Hi-Fi Crazy friends put
together our own libraries of spec sheets and product literature, and
would sit around listening to our used, hand-me-down, DIY, or kluged together "systems" and learnedly discuss the wonders and glories of all the stuff we
couldn't afford. In the beginning (just to let you know how far back this
was), everything was mono(phonic), but as time went on, it all – especially
after 1957, when stereo LPs first came out – became stereo gear that we would
dream of and pontificate about.
---> Not Even The (Audiophile) Earth Is
Flat.
Flashback: The Mechanism Of CD Rot
Article By Mark P. Fishman
The BAS Speaker Volume 31 No. 3
Having read Brad Meyer's concerns about deterioration of
CD-Rs (BASS V31 No2), specifically rising error rates with both radius and age,
I think some explanation of mechanism is in order. For much of what I write below, credit should go to Mike Richter, who has been at this far longer than I, has had access to better tools, and has
burned many more CDs. There are a couple of points of interest in Meyer's story. One is related
to aging of CD players, which are not just electromechanical devices with special-purpose embedded computers, but are, crucially, electro-optical
solid-state devices. When transistors were introduced, one of their selling points was that
they aged far more slowly than vacuum tubes, and failed far less often. In marketing-speak (NB: a pejorative term), they last forever. The lasers
used in CD players (and other optical-media devices) are laser diodes, not the gas or crystal lasers used in science fiction as death rays or cutting
tools.
---> Flashback: The Mechanism Of CD
Rot.
World Premiere Review!
Big Sound, Small Size: Voxativ Hagen2 Tower Loudspeaker Review
Performing the most musical magical trick!
Review By Paul Schumann
Growing
up, I had a neighborhood friend who did magic. He was always working on new
illusions to incorporate into his act. Sometimes he had to build an apparatus,
and others were sleight of hand. To start, he would practice the new illusion
for endless hours in front of the mirror. Once the kinks were worked out, he
would try it out in front of some of his neighborhood friends. When he did this,
he added an extra layer of challenge for himself. He would show us how the trick
worked before he performed it. That way, we knew what to look for. He knew he
had mastered the illusion if he could still fool us. He was a master of his
craft, and he still does magic shows for fun. Our audio systems, as ardent readers of Enjoy the Music.com
know, can perform magic tricks. They take music that has been recorded in some
medium, convert it to electrical signals, and turn those signals into vibrations
that we perceive as music.
--->
Big Sound, Small Size: Voxativ Hagen2 Tower Loudspeaker Review.

World Premiere Review!
Greater Emotional Connection: Audience FrontRow Reserve PowerChords Review
Going deeper into the inner details of the music you love.
Review By Rick Becker
The invitation
for Enjoy the Music.com to review a new Audience Front Row Reserve
powerChord from John McDonald, President of Audience AV, came as a complete
surprise offer out of the blue. At $7500 each (1.5-meter), they would be two levels above the $2500
Synergistic Research power cords that grace most of my components. It would be
an adventure into uncharted territory for me, were it not for the Furutech
Project V1 Power Cable at $10,000, which came bundled with their excellent
Furutech NCF Power Vault power conditioner I had recently reviewed. I accepted John's offer reluctantly because I wasn't convinced
that power cords of that price would make a commensurate improvement. I also
wasn't sure a single power cord would enable me to reach a valid conclusion. In
the past, Synergistic Research had supplied enough power cords to feed my system
from source to power amp. In the lower to moderate price ranges, the
improvements were easily recognized and justified the increased costs.
--->
Greater Emotional Connection: Audience FrontRow Reserve PowerChords Review.

The Ultimate Music Majesty: Lindemann Woodnote SOLO Network Player / DAC Review
A glorious reach out and touch sound that invites you to listen more.
Review By Tom Lyle
Lindemann Audio is a German high-end audio company that has
been in operation for over thirty years, just as the 30th anniversary of Enjoy
the Music.com is being celebrated in 2025! In that time, Lindemann became
known for being an innovative company that designed and manufactured
excellent-sounding and well-built digital and other audio products at a
reasonable price. Lindemann produces three series of products, three of which
are digital components, and the other are loudspeakers. Lindemann's Woodnote
series offers two compact-sized components, both of which are minimalist in
design: the SOLO and the COMBO. The SOLO is a streamer / DAC, the COMBO is also
a steamer / DAC, but also contains an internal amplifier in its similarly sized
cabinet. I chose to review Lindemann's Woodnote SOLO rather than their
COMBO because the SOLO will appeal more to audiophiles looking to integrate an
extremely well-built and cleverly designed streamer / DAC into their system.
--->
The Ultimate Music Majesty: Lindemann Woodnote SOLO Network Player / DAC
Review.


Make Your Listening Room A Listening Room
Roger Skoff writes about how to enjoy your music more without spending a lot more money.
Article
By Roger Skoff
Many
years ago, a wealthy friend asked me for advice on spending the $100,000 he
had budgeted for a new stereo system. After going through all of the usual
questions with him, like "What kind of music do you like?"; "How loud do you
like to play it?"; "How big is your listening room?"; "When you're listening to
music, what do you listen for?"; and so on, I told him something like: "If I had a hundred thousand to spend on a
system, I'd spend thirty thousand on all of the component, including the record
player (turntable, arm, and cartridge), the CD player, the speakers – remember
that this was a lot of years ago, and that a really great speaker system at the
time, the Avalon Ascent, for example, was only about $15,000 – plus all of
the electronics, and all of the cables. Then I would spend twenty thousand on
creating and furnishing an acoustically as-near-perfect-as-possible listening
room. And, finally, I would keep the remaining fifty grand for use toward my
(then of the appropriate age) daughter's college education."
---> Read Make Your Listening Room A Listening Room.
Bayz Audio Courante 2.0 Loudspeaker
Review
A new and innovative design in speaker technology.
Review By
Dr. Matthew Clott
You
might have to stand on your head for this review because Zoltán Bay turned the
concept of speaker production upside down and inside out when he created the Bay
Radial Speaker (BRS) Tweeter. And when you see the absolutely unique and
creative Bayz Audio Courante 2.0 speaker design ($60,000), you're not going to
be able to figure out how to stand, so just have a seat and enjoy the read.
Maybe have the computer or tablet read it to you while you listen to your
favorite composition in the background.... Be sure to grab your favorite
beverage and have that cute dog (or cat) of yours sit in your lap and snuggle
in; this is gonna be good! Decades of research, and over 35 years in the
industry, led Mr. Bay to a unique radial sound projection system. In essence, it
is a cylindrical membrane surface capable of changing its diameter. As with a
more standard speaker cone, the pulsations of the cylinder create sound in the
direction of radiation but in a perfect 360 degree omni-directional wavefront.
--->
Bayz Audio Courante 2.0 Loudspeaker Review.
Pass Labs XP-17 Phono Preamp &
Pass Labs X250.8 Power Amplifier Review
Impressive sound quality that we've come to expect from Pass Labs.
Review By Tom Lyle
For quite some time I've been using a Pass Laboratories power amplifier, phono stage, and headphone amplifier as references in my listening room. There were times I thought that some might think I was a spokesperson for this brand of equipment! I could see how some might get that idea, because not only do I use three Pass Labs components in my system, I also will tell anyone who will listen that I consider Pass Laboratories' high-end audio components the best in their respective price classes. Then again, those who have read my reviews of other brands of audio equipment will be able to tell that I approach each review with an open mind. I attempt to be as objective as possible, and other than the fact that I happen to have three Pass Labs components as references, I've never shown a hint of favoritism towards any component or brand of component in any of my reviews. It is quite obvious that I consider music more important than whatever audio equipment that might be in my system at the time.
--->
Pass Labs XP-17 Phono Preamp & X250.8 Power Amplifier Review.
Many more reviews & articles are within our Review Magazine.
09 / 26 / 25

Artificial 'Intelligence' R&B Persona Scores $3M Deal
Xania Monet, an AI-crafted R&B persona operated by Mississippi poet Telisha Jones, has landed a reported $3 million record deal from Hallwood Media after a rapid rise on streaming platforms and Billboard charts. Her five-song catalog has attracted millions of on-demand streams and generated industry attention as labels weighed bids for the project. The signing has intensified an already heated debate over AI in music, with performers and industry groups warning that generative systems trained on existing catalogs could undermine creators, complicate copyright and royalty flows, and devalue years of human craft. High-profile artists voiced fierce objections on social media, arguing that AI-driven releases crowd out emerging musicians and raise questions about authorship and
fairness.
Business supporters of the deal and
Jones's team point to the music's authorship of the lyrics and to a blend of human direction with AI production as justification for commercial rights and label investment, while labels and litigators scramble to reconcile contracts with unresolved legal rulings and ongoing lawsuits against AI music platforms. The outcome of those disputes will likely shape whether Xania Monet becomes a template for future releases or a flashpoint that prompts new
artificial music business / industry standards and regulation. Unions, major publishers, and several streaming services responded by announcing expedited talks on transparency, attribution, and royalty allocation for AI-assisted works, and lawmakers in multiple jurisdictions signaled interest in clarifying whether synthetic performances qualify for the same protections and payouts as human
performers.
09 / 25 / 25


Interview With David Chesky
On Music And his new venture the Audiophile
Society.
Article By Steven R. Rochlin
The Audiophile Society is the brainchild of composer, pianist, and audio pioneer David Chesky. The new label will focus on bringing even more realistic three-dimensional recordings to market with their Mega-Dimensional Sound, The Audiophile
Society's name for their unique two-channel 3D audio that can play on all existing two-channel stereo, while showcasing emerging artists working in a multitude of genres. The ultimate goal of The Audiophile Society is to change the way you hear
music. David, what do you think about the current state of the
music and audiophile world? " The interesting thing about audiophiles is that they
are cool with collecting LPs, CDs, and open reel tapes, but at the same time
very open to new ideas like what we are trying to do. I work a lot in the
classical world where it is so hard to get people to like something new, we call
it the un-acceptance of the unfamiliar.
---> Interview With David Chesky
Concerning Music.
Keeping It Real With Authentic Sound Quality
Roger Skoff writes about the importance of true authenticity.
Article
By Roger Skoff
When
I was a kid Hi-Fi Crazy, I didn't have any money. I had heard good
sound, though, and I lusted after it almost to the same degree as I would lust
after more conventionally lusty things in years to come. What I had heard was the, to me, mind-boggling
and world-changing deep bass of a huge theater pipe organ played on a Bozak
B-310 "Concert Grand" speaker (24Hz rated, with four 12" woofers in a 14 cubic
ft. enclosure!), through McIntosh electronics, and I wanted that kind of sound
for myself! Unfortunately, as a kid of 12, with no money and less-than-rich
parents, I had to make do with what I could scrounge or improvise. That turned-out to be a Silvertone (Sears) combination AM
radio and phonograph with a single speaker of (probably) 5.25" or less.
Mono, of course; stereo didn't come along until years later.
--->
Keeping It Real With Authentic Sound Quality.
09 / 24 / 25

Samsung-Owned HARMAN Completes Sound United Acquisition
HARMAN International, a wholly owned subsidiary of Samsung Electronics, announced today it has completed the acquisition of Sound United, the former consumer audio arm of Masimo. The deal brings renowned brands including Bowers & Wilkins, Denon, Marantz, Definitive Technology, Polk Audio, HEOS, Classé, and Boston Acoustics into
HARMAN's Lifestyle Division, immediately expanding its product mix across home audio, amplifiers, AVRs, headphones, and car audio. HARMAN says the acquisition creates one of the
industry's most comprehensive audio portfolios and positions the company to offer consumers greater choice and deeper innovation across all listening
environments. HARMAN will operate Sound United as a standalone Strategic Business Unit within its Lifestyle Division to preserve each
brand's heritage, craftsmanship, and loyal customer base while leveraging HARMAN's global scale. Company leadership highlighted that the combination pairs Sound
United's award-winning product design and engineering with HARMAN's strengths in connected technologies and worldwide distribution.
Executives emphasized that the structure is designed to accelerate product development, expand market reach, and maintain the distinct identities and roadmaps of the acquired
brands. HARMAN called the transaction a strategic step to strengthen its leadership in premium audio and drive business growth through complementary portfolios, talent, and technology. The integration is expected to boost
HARMAN's capabilities at the intersection of sound, culture, and technology, enabling faster innovation cycles and enhanced consumer experiences across home, mobile, and automotive categories. Company officials said customers and trade partners should expect an expanded lineup of products and continued investment in high-fidelity engineering and brand-specific
innovation.
09 / 23 / 25

audioXpress' October 2025 Issue
Editorial: The Appealing Promise Of Tiny MEMS Speakers
Pushing The Boundaries Of DIY Audio
MEMS Speakers: Finding the Right Problem To Solve
Subjective Evaluation Of Production Vehicle Audio System Variance
The StreamAmp Platform For Speaker Designs
The HTL-100 High-Fidelity Multimedia Loudspeakers
Instrumental Assessment of Audio Quality For Cars And Headphones
Nugen Audio DialogCheck Measuring Speech Clarity
Acoustic Absorption In Ceilings
And Much More!
Within his editorial, J. Martins says "audioXpress has been reporting on the promise of microelectromechanical systems (MEMS) speakers for nearly 10 years. Mike Klasco first gave a talk about MEMS loudspeakers at the ALMA Symposium and Expo event, preceding CES 2015, and wrote regularly about MEMS speakers' evolution. A decade later, we are seeing some actual progress, and products are available in the market. But MEMS speaker drivers are far from their original promise of disrupting the industry or even rivaling established technologies. Which raises questions until we dive into the details to understand that there's very little in common among all the MEMS transducers products that have been launched and promoted in the microspeaker class. The main thing in common is that MEMS typically include "microscale" mechanical structures (such as movable parts) and microelectronics all embedded on a silicon substrate. Other than the foundational technology, multiple MEMS devices share the same manufacturing processes derived from semiconductor fabrication. As we stand in 2025, the pioneering companies that have entered the industry with "MEMS speakers" have done so with completely different approaches. And some very interesting original concepts have not yet even made it to market."
---> audioXpress October 2025
Issue.
09 / 22 / 25

U.S. Music Industry Hits Record $9B
Mid-Year Revenue, Driven By Internet Streaming And Vinyl LP Sales
The Recording Industry Association of America (RIAA) has released its 2025 Mid-Year Music Revenue Report, revealing a historic $9 billion in recorded music revenues for the first half of the year—a 7% increase over the same period in 2024. Streaming continues to dominate, accounting for 84% of total revenue, with paid subscriptions alone contributing $6.6 billion. The number of paid subscriptions rose to 101 million, underscoring the continued growth of platforms like Spotify, Apple Music, and Amazon Music. Notably, ad-supported streaming also saw gains, reaching $1.2 billion, buoyed by strong performance from services like YouTube and
TikTok. Physical formats showed surprising resilience, with vinyl sales climbing 15% to $882 million, maintaining their lead over CDs for the third consecutive year. CD revenues held steady at $250 million, while overall physical format revenue grew 11% to $1.2 billion.
Digital downloads, however, continued their decline, dropping 12% to $205 million, reflecting the broader shift in consumer behavior toward streaming and collectible physical media. The report also highlighted a modest increase in synchronization revenues, which rose 5% to $184 million, driven by music placements in film, TV, and advertising.
RIAA Chairman and CEO Mitch Glazier emphasized the importance of continued innovation and fair compensation for artists, noting that the
industry's growth reflects both consumer demand and the creative vitality of American music.
"We're seeing the power of music to connect and inspire across every
format," Glazier stated. With robust gains across streaming and physical formats, the 2025 mid-year snapshot paints a picture of a thriving, diversified music economy poised for further
expansion.
09 / 19 / 25
Hi-Fi+ September 2025 High-End
Audio Magazine
Editorial: Making Great Strides In Audio Equipment
dCS Lina DAC X Digital-To-Analog Converter
PMC prophecy9 Floorstanding Loudspeaker
Chord Electronics Ultima 3 Pre And Ultima 3 Pre & Mono Amp
Master Fidelity NADAC Digital-To-Analog Converter
Linn Klimax Solo 500 Mono Power Amplifier
Innuos ZENith NG Music Server
Gold Note HP-10 Deluxe Headphone Amplifier
Chord Company ARAY RF-Controlling Range
Seismion Reactio 2 Anti-Vibration Platform
Within this month's editorial, Alan Sircom says
"Audio may be the most mature consumer electronics field, but that doesn't mean if's stagnant. Development in audio has been continual, with improvements in all aspects of performance. Even the most cursory overview of the audio world shows why this should be the case. If you compare a modern low-power solid-state integrated amplifier with one sold even at the turn of the century, the level of precision in circuit design, component integrity and reliability is considerably better. That's just the start, however. While there are many companies that tread a successful path free from innovation, others consider each new project a chance to start afresh, creating a synthesis of existing technologies and new concepts to add to the canon of audio engineering. We've made – and continue to make great strides in all branches of audio, and not simply by pushing the price-point envelope. The difficulty, however, often comes down to imparting that new technology. Reviewers have a range of skills, but one thing most of us are extremely capable of is reducing a concept down too far. Again, this is understandable for the sake of brevity and delivering information to the widest number of people."
---> Hi-Fi+'s
September 2025 High-End Audio Magazine.
09 / 18 / 25

The Fantastic Florida International Audio Expo 2026
Florida International Audio Expo (FIAE) returns to the Sheraton Tampa Brandon Hotel February 20th through 22nd, 2026, for its eighth annual gathering of high-fidelity
enthusiasts and you know Enjoy
the Music.com
will once again be there too! More than 100 exhibit spaces will showcase the latest in audio innovation, and attendees from around the world can immerse themselves in live music performances scheduled throughout the weekend. Industry leaders will lead seminars on everything from room acoustics to vinyl resurgence, ensuring every visitor—from the casual listener to the seasoned audiophile—finds something to spark their passion. Dedicated audition rooms will give guests the chance to compare speakers, amplifiers and digital sources side by side, making this three-day event a must-visit for anyone committed to exceptional sound.
"The opportunity to audition your favorite brands and engage directly with company representatives remains a vital part of the buying and showgoing
experience," said Bart Andeer, FIAE's Director of Show Operations. "It's no surprise that
we've seen over 40% growth in the past two years. Our show continues to attract leading brands from around the globe, and the addition of the car-audio community brings even more opportunities for music lovers to connect and experience high-performance sound here in the Sunshine
State." Returning exhibitors include ATC Loudspeakers, Audio Note UK, Chesky Audio, Focal Naim, Gershman Acoustics, Next Level HiFi, Oneiros Audio, Pass Labs, Playback Distribution, SVS Audio and VAC, among others.
Building on last
year's success, FIAE will once again spotlight premium car audio with an invitational sound-quality competition featuring top-tier competitors from across the U.S.
attendees can audition these high-end immersive automotive systems and participate in educational seminars backed by Florida Sound Quality, IASCA Worldwide and SQology. The Sheraton Tampa Brandon complements the show with ample onsite and overflow parking, a newly refreshed lobby lounge and a Starbucks slated to open later this year. Guests also enjoy free shuttle service to destinations within three miles—Seminole Hard Rock Hotel and Casino included—and easy access to local dining and attractions.
Of course there's Bush Gardens for roller coaster enthusiasts, and Orlando's
parks for the kids and the kid at heart. NASA is also relatively close by, watch
a sensational SpaceX Falcon 9 or Heavy rocket launch live! Tickets are available online and at the door, and with hotel rooms selling fast, organizers urge attendees to secure accommodations as soon as
possible. For more information, visit FloridaAudioExpo.com.
Marten Parker Trio Diamond Edition Floorstanding Speaker Review
An amazing ability to separate each of the instruments and vocals in the soundscape.
Review By
Tom Lyle
Marten
speakers are designed and built in Sweden. Leif Marten Olofsson founded the
company in 1998. Marten is now run by Leif Marten and his brothers, Jorgen and
Lars Olofsson. Marten designs and manufactures five lines of speakers, all named
to earn points from me; that is, they are named after American jazz musicians -
Coltrane, Mingus, Parker, and Oscar. The fifth series is the Heritage Series,
which has the sub-series Bird, Getz, Miles, and Duke. The Marten Parker Trio is a floor-standing
speaker situated in the middle of the Parker series offerings. On its front
baffle, it has two 7.5-inch ceramic bass/midrange drivers and a 1-inch
"pure" ceramic tweeter, which in this model has been upgraded to
diamond. Besides having a diamond tweeter, the upgrade to Marten's Parker Trio
Diamond Edition floorstander also has upgraded crossover components, improved
speaker terminals, and Marten's Jorma Statement internal wiring.
--->
Marten Parker Trio Diamond Edition Floorstanding Speaker Review.
Métronome Technologie Le Player 4+ DAC / CD
Player Review
The persistence of memory.
Review By Maurice Jeffries
In
an act of musical and marketplace bravery, the esteemed French electronics firm
Métronome Technologie has taken the bold step of offering music lovers still
wed to physical media a device many long ago consigned to the dustbin of audio
history: a dedicated CD player. When Toronto, Canada-based audio distributor /
dealer Wynn Wong of Wynn Audio and our Creative Director Steven R. Rochlin
contacted to gauge my interest in reviewing Metronome Technology Le Player 4+ CD
player / DAC, I thought that they both must be crazy. What sane manufacturer
would dare to offer a dedicated (and pricey) CD player in a market dominated by
digital servers, streamers, music streaming services, and outboard DACs to that
most fickle of consumers, the modern audiophile?
--->
Métronome Technologie Le Player 4+ DAC / CD Player Review.
Previous High-End Audio News
For previous high-end audio and music industry news
click here.