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The Doors
Live in Detroit
Review by Steve Guttenberg
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CD Stock Number: Bright Midnight Records RHM2 7902
Did you ever see the Doors? I loved them two times in ’69, and I wore out all
of my LPs (except Soft Parade) a bunch of times. But hey, Jim Morrison left the planet 32 freakin’ years ago, and I still want more, don’t you? I have
no idea why Elektra sat on its treasure trove of all-analog, non Dolby-ized concert recordings for all these years. The sound is vibrant and dynamic in
ways that contemporary recordings rarely are.
This two-disc set (available only via the internet from Rhino) documents the
entire May 8, 1970 performance at the Cobo Arena in Detroit. The band was in
the midst of recording their last album, L.A. Woman, during the week, and
would blast off on weekends to perform. Working a seven-day schedule certainly didn’t blunt their spirit, the band was rarin’ to go. Jimbo was in
fine, fine voice -- not drunk or pissed off -- everything was just right.
The Doors were touring to support their then current LP, Morrison Hotel, and
kicked off the night with a rollicking instrumental version of “Roadhouse Blues.” We’re next treated to a brilliant “Break on Through,” then a
playful but effective “Alabama Song,” and a deeply primal “When the Music’s
Over” that creams the original studio version. They explore some uncharted
territory like “People Get Ready” and segue into a chunky jam on “Mystery
Train.”
But wait till you see how Morrison transforms Chuck Berry’s “Carol” into a
Doors’ tune, and then unleashes a fourteen minute version of “Light My Fire.” Ray Manzarek’s lukewarm organ solo fizzles, but Robby Kreiger’s
guitar squeezes out major sparks. Ray rebounds with “Mean Mustard Blues,”
and shares vocals with Morrison on “I’m a King Bee” and “Rock Me Baby.”
They end the show with “The End,” which was rarely performed live. Morrison
improvises before he dons his Lizard King persona to good effect. All in all,
a great show, and a must-have release for Doors fans.
Enjoyment: 95
Sound Quality: 85
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